Generative Grammar - Music

Music

Generative grammar has been used to a limited extent in music theory and analysis since the 1980s. The most well-known approaches were developed by Mark Steedman as well as Fred Lerdahl and Ray Jackendoff, who formalised and extended ideas from Schenkerian analysis. More recently, such early generative approaches to music were further developed and extended by several scholars.

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Famous quotes containing the word music:

    “And in the next instant, immediately behind them, Victor saw his former wife.
    At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
    —Vladimir Nabokov (1899–1977)

    “His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
    —Henry David Thoreau (1817–1862)

    “Music is spiritual. The music business is not.”
    —Van Morrison (b. 1945)