A Movement of Criticism and Ideals
The Generation of ’98 intellectuals objected to the meticulously organized structure of the Restoration system of government and the corruption that it fostered. After Spain’s bloody and decisive defeat in the Spanish-American War, which resulted in thousands of dead Spaniards and the loss of all of Spain’s remaining colonies, these writers were prompted to voice their criticism. They agreed on the urgency of finding a means, in areas of thought and activity separate from politics, of rescuing Spain from its progressive catatonic state.
The writers, poets and playwrights of this generation maintained a strong intellectual unity, opposed the Restoration of the monarchy in Spain, revived Spanish literary myths, and broke with classical schemes of literary genres. They brought back traditional and lost words and always alluded to the old kingdom of Castile, with many supporting the idea of Spanish Regionalism.
The majority of these texts that were written in this literary era were produced in the years immediately after 1910 and are generally marked by the justification of radicalism and rebellion. Examples of this are the last poems incorporated to "Campos de Castilla", of Antonio Machado; Miguel de Unamuno's articles written during the First World War; or in the essayistic texts of Pío Baroja.)
The criticism of the "Generation of '98" today from modern intellectuals is that the group was characterized by an increase of egoism, and by a great feeling of frustration with Spanish society and politics.
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