Categories
The common property of all categories is that they can be predicated of an entity.
Categories in GFO are further divided in immanent universals, conceptual structures and symbolic structures. Immanent universals are so-called Aristotlian universals, in the sense that they are considered in re. This means, that these universals exist in all the entities which instantiate an immanent universal, independent of an observer. An example of an immanent universal could be APPLE. The universal APPLE exists in all apples, independent of perception by an agent.
Conceptual structures are mental representations of entities or universals, and they exist in an agent's mind. For example, the individual representation of the (linguistic) term "apple" inside an agent's mind (determined by the agent's experience, knowledge and belief, etc.).
Symbolic structures are signs which may be instantiated by tokens. They have the property to stand for something beyond themselves. An example is the physical pattern "apple", which instantiates the "APPLE" symbolic structure.
Read more about this topic: General Formal Ontology
Famous quotes containing the word categories:
“The analogy between the mind and a computer fails for many reasons. The brain is constructed by principles that assure diversity and degeneracy. Unlike a computer, it has no replicative memory. It is historical and value driven. It forms categories by internal criteria and by constraints acting at many scales, not by means of a syntactically constructed program. The world with which the brain interacts is not unequivocally made up of classical categories.”
—Gerald M. Edelman (b. 1928)
“All cultural change reduces itself to a difference of categories. All revolutions, whether in the sciences or world history, occur merely because spirit has changed its categories in order to understand and examine what belongs to it, in order to possess and grasp itself in a truer, deeper, more intimate and unified manner.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“Kitsch ... is one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of “trashy,” sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the “cliché” in discourse.”
—Jean Baudrillard (b. 1929)