Gaspard Monge - Published Works

Published Works

  • Between 1770 and 1790 contributed various papers on mathematics and physics to the Memoirs of the Academy of Turin, the Mémoires des savantes étrangers of the Academy of Paris, the Mémoires of the same Academy, and the Annales de chimie, including:
    • "Sur la théorie des déblais et des remblais" (Mém. de l’acad. de Paris, 1781), which is an elegant investigation of the problem with earthworks referred to in the title and establishes in connection with it his capital discovery of the curves of curvature of a surface. Leonhard Euler, in his 1760 paper on curvature in the Berlin Memoirs for, had considered, not the normals of the surface, but the normals of the plane sections through a particular normal, so that the question of the intersection of successive normals of the surface had never presented itself to him. Monge's paper gives the ordinary differential equation of the curves of curvature, and establishes the general theory in a very satisfactory manner; the application to the interesting particular case of the ellipsoid was first made by him in a later paper in 1795. (Monge's 1781 memoir is also the earliest known anticipation of Linear Programming type of problems, in particular of the transportation problem. Related to that, the Monge soil-transport problem leads to a weak-topology definition of a distance between distributions rediscovered many times since by such as L. V. Kantorovich, P. Levy, L. N. Wasserstein, and others; and bearing their names in various combinations in various contexts.)
    • A paper in the volume for 1783 relates to the production of water by the combustion of hydrogen. Monge's results had been anticipated by Henry Cavendish.
  • The Art of Manufacturing Cannon (1793)
  • Géométrie descriptive. Leçons données aux écoles normales (Descriptive Geometry): a transcription of Monge's lectures. (1799)

Read more about this topic:  Gaspard Monge

Famous quotes related to published works:

    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
    Alexander Solzhenitsyn (b. 1918)