Gardens of Babur - History

History

The original construction date of the gardens is unknown. When Babur captured Kabul in 1504 from the Arguns he re-developed the site and used it as a guest house for special occasions, especially during the summer seasons. Since Babur had such a high rank, he would have been buried in a site that befitted him. The garden where it is believed Babur requested to be buried in is known as Bagh-e Babur. Mughul rulers saw this site as significant and aided in further development of the site and other tombs in Kabul. In an article written by the Aga Khan Historic Cities Programme, describes the marble screen built around tombs by Mughal Emperor Shah Jahan in 1638 with the following inscription:

"only this mosque of beauty, this temple of nobility, constructed for the prayer of saints and the epiphany of cherubs, was fit to stand in so venerable a sanctuary as this highway of archangels, this theatre of heaven, the light garden of the godforgiven angel king whose rest is in the garden of heaven, Zahiruddin Muhammad Babur the Conqueror."

Although the additions of the screens by Shah Jahan contained references to Babur, Salome Zajadacz-Hastenrath, in her article "A Note on Babur's Lost Funerary and Enclosure at Kabul" suggests that Shah Jahan's work transformed Bagh-e Babur into a graveyard. She states that a "mosque was built on the thirteenth terrace, the terrace nearest to Mecca; the next, the fourteenth terrace, was to contain the funerary enclosure of Babur's tomb and the tombs of some of his male relatives." This transformation towards a proper graveyard, with an enclosure around Babur's tomb, points towards the importance of Babur. By enclosing Babur's tomb, Shah Jahan separates the tomb of the Emperor from others.

The only hint of the design lies in an 1832 sketch and short description by Charles Masson, a British soldier, which was published in 1842, the year the tomb was destroyed by an earthquake. One description of the tomb praised it, "although obviously-in a poor state of preservation, reveals fine workmanship in stone carving: high walls with lavish jali-work and relief decoration." Mason described the tomb as being "accompanied by many monuments of similar nature, commemorative of his relatives, and they are surrounded by an enclosure of white marble, curiously and elegantly carved... No person superintends them, and great liberty has been taken with the stones employed in the enclosing walls." Mason's sketch and Mason's description gives us the only modern view of how extravagant the tomb was.

Bagh-e Babur has changed drastically from the Mughul impression of the space to the present. Throughout the years outside influences have shaped the use of the site. For example, the Aga Khan Historic Cities Programme describes how by 1880, Amir Abdur Rahman Khan constructed a pavilion and a residence for his wife, Bibi Halima. In 1933, the space was converted into a public recreation space with pools and fountains becoming the central focal point. A modern greenhouse and swimming pool were added in the late 1970s. Although the enclosure of the Babur's tomb is no longer present, Bagh-e Babur still remains a major historically important site in Kabul.

Over the past few years, attempts at rebuilding and reconstructing the city of Kabul and Babur's tomb have been undertaken. Zahra Breshna, an architect with the Department for Preservation & Rehabilitation of Afghanistan's Urban Heritage, argues that, “emphasis should be on developing and strengthening the partially forgotten local and traditional aspects, whilst placing them in a contemporary global context. The goal is to preserve the tradition without hindering the development of a modern social, ecological and economical institution.” Planners also discuss the importance of ‘a revival of cultural identity’ in the development of Kabul. These ideas seem to fall in line with the plan of Aga Khan.

The plan put forth by Aga Khan calls for the reconstruction of the Bagh-e Babur and includes several key components. The rebuilding of the perimeter walls, the rehabilitation of the Shahjahani mosque, and the restoration of Babur's grave enclosure are all important parts of the rehabilitation of the garden and aid in the ‘revival of cultural identity.’ The perimeter walls, common throughout many Islamic cities, would provide for closure of the area. This enclosure of orchids is traditional in the area. Also, the restoration of the Shahjahani mosque, a place for prayer and meditation for visitors to the gardens would be restored.

The biggest idea proposed is the restoration of Babur's tomb. The reconstruction of Babur's garden would bring about a unity fixed around the ruler responsible for the importance of Kabul and the restoration of the historic quarters would restore the pride of the citizens of the city. Architect Abdul Wasay Najimi writes that, "Restoration of confidence, pride and hope would be the main outcome in reintegrating the historic quarters in the mainstream rehabilitation and development of Kabul. This would have a direct impact on the revival of identity."