Reception
The film was first screened on January 16, 2004, at the Sundance Film Festival where it was purchased in a joint venture by Fox Searchlight Pictures and Miramax for USD $5 million, double the film's budget. Fox Searchlight Pictures president Peter Rice said of the film, "Having enjoyed the film immensely, we look forward to working with Miramax to bring Garden State to audiences worldwide." From March until mid July, it screened at other various film festivals until it received a limited release on July 28 in North America. It became only the fourth non-documentary feature to top the chart that year, as calculated by per screen average, since Memorial Day weekend. Stephen Gilula, president of distribution at Fox Searchlight, attributed the film's gradual success to word of mouth and a publicity tour by Braff leading up to the film's theatrical debut. Gilula said, "Zach had a cross-country tour, and we word of mouth screenings, where we had to turn people away. Zach did Q&As following ." From late 2004 through mid 2005, Garden State was shown at more festivals and was released in over 30 countries. In limited release, the film earned about $26.7 million in North American box office, and a total $35.8 million worldwide.
Garden State has an 86% "fresh" rating on Rotten Tomatoes. Empire placed Garden State at number 393 on their list of the 500 Greatest Films Of All Time.
The film has been criticized for buying into the Manic Pixie Dream Girl trope.
Read more about this topic: Garden State (film)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)