Garden Path Sentence

A garden path sentence is a grammatically correct sentence that starts in such a way that a reader's most likely interpretation will be incorrect; the reader is lured into a parse that turns out to be a dead end. Garden path sentences are used in psycholinguistics to illustrate the fact that when human beings read, they process language one word at a time. "Garden path" refers to the saying "to be led down the garden path", meaning "to be misled".

According to one current psycholinguistic theory, as a person reads a garden path sentence, the reader builds up a structure of meaning one word at a time. At some point, it becomes clear to the reader that the next word or phrase cannot be incorporated into the structure built up thus far; it is inconsistent with the path down which they have been led. Garden path sentences are less common in spoken communication because the prosodic qualities of speech (such as the stress and the tone of voice) often serve to resolve ambiguities in the written text. This phenomenon is discussed at length by Stanley Fish in his book Surprised by Sin. He argues that incremental parsing of sentences needs to be addressed by literary theorists. He also covers this topic in several essays from his book Is there a text in this Class?.

Read more about Garden Path Sentence:  Examples, By Language Type, Parsing, Re-analysis of A Garden Path Sentence, Brain Processing in Computation, The Effects of Disfluency

Famous quotes containing the words garden, path and/or sentence:

    The others “acted” a role; I was the role. She who was Mary Garden died that it might live. That was my genius ... and my sacrifice. It drained off so much of me that by comparison my private life was empty. I could not give myself completely twice.
    —Mary Garden (1874–1967)

    Ai! ai! we do worse! We are in a fix! And you’re out, Death let
    you out, Death had the Mercy, you’re done with your century, done with God, done with the path thru it—
    Allen Ginsberg (b. 1926)

    There is then creative reading as well as creative writing. When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.
    Ralph Waldo Emerson (1803–1882)