Recording
In her return to Smart Studios, Manson began to work on the then-skeletal "Queer" and "Vow" (ad-libbing the lyric "like Joan of Arc coming back for more"). While looking for a record deal to put the album out, Garbage sent out demo tapes with no bio, to avoid a bidding war over Vig's production history. Garbage signed with Mushroom U.K. worldwide and to Jerry Moss's label Almo Sounds for North America. Manson's contribution was licensed to both Mushroom and Almo by her label Radioactive.
Garbage continued to work on the album throughout the start of 1995, being delayed by Vig's work producing Soul Asylum's Let Your Dim Light Shine album and the songs being "piecemealed together in the studio". Some of the songs were completely reworked, with "As Heaven is Wide" going from "a big rock track" to a techno song with Tom Jones-inspired beats, only keeping Erikson's fuzz bass and Manson's vocals from the original recording. A major part of the work was Manson rewriting the song lyrics, which Vig said the band attempted to "write from a woman's perspective and I think, initially, some of them were a little pretentious. But as soon as Shirley came on board she simplified the lyrics so that they were a lot more subtle and worked better as songs."
Read more about this topic: Garbage (album)
Famous quotes containing the word recording:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)