Instruments
Instruments in Gamelan Gong Kebyar offer a wide range of pitches and timbres, ranging five octaves from the deepest gongs to the highest key on a gangsa. The high end can be described as "piercing," the low end "booming and sustained," while the drums as "crisp." Kebyar instruments are most often grouped in pairs, or "gendered." Each pair consists of a male and female instrument, the female being slightly larger and slightly lower in pitch. See tuning in this article to learn why this is.
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Famous quotes containing the word instruments:
“Sound all the lofty instruments of war,
And by that music let us all embrace,
For, heaven to earth, some of us never shall
A second time do such a courtesy.”
—William Shakespeare (1564–1616)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)
“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
—Sir Herbert Read (1893–1968)