Career
The partnership's break in comedy writing came with the Derek Roy vehicle Happy Go Lucky, although this was not a success. The Hancock connection began with their involvement with later radio variety series, and from November 1954 continued with Hancock's Half Hour on radio; a series featuring their scripts for Hancock ran on television between 1956 and 1961. In October that year Hancock ended his professional relationship with the writers, and with Beryl Vertue who worked with the writers' at their agency Associated London Scripts. This writers' co-operative had been founded by Eric Sykes and Spike Milligan, with others involved, including Hancock for a time.
After their association with Hancock had ended, they wrote a series of Comedy Playhouse (1961–62), ten one-off half-hour plays for the BBC. One play in the series, The Offer, was well received, and from this emerged Steptoe and Son (1962–74), about two rag and bone men, father and son, who live together in a squalid house in West London. This was the basis for the American series Sanford and Son and the Swedish series Albert & Herbert.
Their comedy is characterised by a bleak and somewhat fatalistic tone. Steptoe and Son in particular is, at times, extremely black comedy, and close in tone to social realist drama. Both the character played by Tony Hancock in Hancock's Half Hour and Harold Steptoe (Harry H. Corbett) are pretentious, would-be intellectuals who find themselves trapped by the squalor of their lives. This theme had been expanded upon in their script for Tony Hancock's film The Rebel (1961), about a civil servant who moves to Paris to become an artist. Gabriel Chevallier's novel Clochemerle (1934) was adapted by Galton and Simpson as a BBC/West German co-production in 1972. They contributed the book to Jacob's Journey, a musical accompaniment to a 1973 production of Joseph and the Amazing Technicolor Dreamcoat, which was however soon dropped.
While both writers continued to work solidly after Steptoe and Son ceased broadcasting, including several projects with Frankie Howerd, they had no further high-profile successes. Duncan Wood, the former Hancock and Steptoe producer now at Yorkshire Television, commissioned The Galton & Simpson Playhouse, a seven-part series broadcast in 1977, featuring leading actors of the time such as Leonard Rossiter and Arthur Lowe. None of these shows led to another series. Simpson formally retired from scriptwriting in 1978, concentrating on his business interests, and Galton collaborated in several projects with Johnny Speight.
In 1996 and 1997, comedian Paul Merton revived several Hancock's Half Hour and other Galton and Simpson scripts for ITV to a mixed reception. Also in 1997, Ray Galton's Get Well Soon, based on his and Simpson's early sanatorium experiences, was broadcast by the BBC.
In October 2005, Galton and John Antrobus premiered their play Steptoe and Son in Murder at Oil Drum Lane at the Theatre Royal, York. The play is set in the present day and relates the events that lead to Harold killing his father, and their eventual meeting thirty years later (Albert appearing as a ghost).
A series of old plays updated for modern times, entitled Galton and Simpson's Half Hour, was broadcast on BBC Radio 2 in 2009. The series of four episodes was made to celebrate the duo's 60 year anniversary, and the cast consists of Frank Skinner, Mitchell and Webb, Rik Mayall, June Whitfield and Paul Merton. The successful Scandinavian television series Fleksnes Fataliteter was based on stories written by Galton and Simpson.
Galton and Simpson were both awarded OBEs in the 2000 Honours list for their contribution to British television.
Read more about this topic: Galton And Simpson
Famous quotes containing the word career:
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (17621835)
“Never hug and kiss your children! Mother love may make your childrens infancy unhappy and prevent them from pursuing a career or getting married! Thats total hogwash, of course. But it shows on extreme example of what state-of-the-art scientific parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)