Culture
The Galata Bridge was a symbolic link between the traditional city of Istanbul proper, site of the imperial palace and principal religious and secular institutions of the empire, and the districts of Galata, Beyoğlu, Şişli and Harbiye where a large proportion of the inhabitants were non-Muslims and where foreign merchants and diplomats lived and worked. In this respect the bridge bonded these two distinctive cultures. As Peyami Safa wrote in his novel, Fatih-Harbiye, a person who went from Fatih to Harbiye via the bridge set foot in a different civilization and different culture. Apart from its place in fiction, the romantic appearance of the Galata Bridge made it the subject of many paintings and engravings.
All daily city tours in Istanbul include this bridge as it is the passageway to the Old City of Constantinople.
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“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)
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“The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
—Jean Baudrillard (b. 1929)