In Popular Culture
- Gordon Scott portrayed Mucius in the sword-and-sandal film Hero of Rome (1964), a film loosely based on this story.
- A similar hand-burning feat of endurance was famously performed by G. Gordon Liddy. It involved holding his hand over a lighter flame until the flesh burned. According to the Carl Bernstein and Bob Woodward book All the President's Men (1974), Liddy did this once at a dinner party. When someone asked "What's the trick?" He replied, "The trick is not minding." When Liddy entered prison for his Watergate crimes he allegedly used this trick to intimidate other inmates.
- The same “trick” was also attributed to T. E. Lawrence in the 1962 film Lawrence of Arabia. Lawrence (played by Peter O'Toole) extinguishes a match with his fingers. Seeing this, the character Potter tries it. Potter: “Ow! It damn well 'urts!” Lawrence: “Certainly it hurts.” Potter: “Well what's the trick then?” Lawrence: “The trick, William Potter, is not minding that it hurts.”
Read more about this topic: Gaius Mucius Scaevola
Famous quotes containing the words popular culture, popular and/or culture:
“The lowest form of popular culturelack of information, misinformation, disinformation, and a contempt for the truth or the reality of most peoples liveshas overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“Lawyers are necessary in a community. Some of you ... take a different view; but as I am a member of that legal profession, or was at one time, and have only lost standing in it to become a politician, I still retain the pride of the profession. And I still insist that it is the law and the lawyer that make popular government under a written constitution and written statutes possible.”
—William Howard Taft (18571930)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)