Biography
At the age of 7, his father sent Yared to an accordion teacher. Two years later he stopped his accordion lessons and started music theory and piano lessons. His piano teacher thought that he had no future in music.
Although he was not a natural pianist, he was interested in reading music.
At the age of 14, his piano teacher died, so he was to replace him as the organist of Université Saint-Joseph. He used the university's library to read all the work of Bach, Schumann, and many others. This extensive reading inspired his first original composition, a piano waltz.
Yared gained a degree in Law. His formal musical education only began when he travelled to France in 1969, and attended the École Normale de Musique de Paris as a non-registered student. There he learned the rules of music composition from Henri Dutilleux.
At the end of 1971, he went to Brazil to visit his uncle. There, the president of the World Federation of Light Music Festivals asked him to write a song to represent the Lebanese in the Rio de Janeiro Song Festival. His song won the first prize.
In Brazil, he kept on performing with his small orchestra. Yared maintains that to this day Brazil has greatly influenced his work.
In 1975, he arranged the album Minacantalucio for the popular Italian singer Mina.
He then went back to France, where he met with the Costa Brothers and collaborated with them. There, he wrote many orchestrations, and ended up with three thousand orchestrations in six years.
Not to be limited by orchestrating, he collaborated with Jacques Dutronc, Françoise Hardy, Charles Aznavour, Mireille Mathieu, etc.. He had collaborations with many musicians, and contributed to many radio and TV jingles, such as TF1 news jingles which he has created since 1980.
He had an episode on the series In the Tracks of.
Read more about this topic: Gabriel Yared
Famous quotes containing the word biography:
“There never was a good biography of a good novelist. There couldnt be. He is too many people, if hes any good.”
—F. Scott Fitzgerald (18961940)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, memoirs to serve for a history, which is but materials to serve for a mythology.”
—Henry David Thoreau (18171862)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (18171862)