Poetry
Tyutchev is one of the most memorized and quoted Russian poets. Occasional pieces, translations and political poems constitute about a half of his overall poetical output.
The 200 or so lyric pieces which represent the core of his poetic genius, whether describing a scene of nature or passions of love, put a premium on metaphysics. Tyutchev's world is bipolar. He commonly operates with such categories as night and day, north and south, dream and reality, cosmos and chaos, still world of winter and spring teeming with life. Each of these images is imbued with specific meaning. Tyutchev's idea of night, for example, was defined by critics as "the poetic image often covering economically and simply the vast notions of time and space as they affect man in his struggle through life". In the chaotic and fathomless world of "night", "winter", or "north" man feels himself tragically abandoned and lonely. Hence, a modernist sense of frightening anxiety permeates his poetry. Unsurprisingly, it was not until the late 19th and early 20th century that Tyutchev was rediscovered and hailed as a great poet by the Russian Symbolists such as Vladimir Solovyov, Andrey Bely and Alexander Blok.
Read more about this topic: Fyodor Tyutchev
Famous quotes containing the word poetry:
“Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.... Of all things of thought, poetry is the closest to thought, and a poem is less a thing than any other work of art ...”
—Hannah Arendt (1906–1975)
“He must be theory-mad beyond redemption who ... shall ... persist in attempting to reconcile the obstinate oils and waters of Poetry and Truth.”
—Edgar Allan Poe (1809–1849)
“German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts “beauty.” It tries to be truthful.”
—Paul Celan [Paul Antschel] (1920–1970)