Production
Matt Groening initially conceived of Futurama in the mid-1990s. In 1996, he enlisted David X. Cohen, then a Simpsons writer and producer, to assist in developing the series; the two then spent time researching science fiction books, television shows, and films of the past. By the time they pitched the series to Fox in April 1998, Groening and Cohen had composed many characters and story lines. During that first meeting, Fox ordered thirteen episodes. Shortly after, however, Groening and Fox executives argued over whether the network would have any creative input into the show. With The Simpsons the network has no input. Groening explains, "When they tried to give me notes on Futurama, I just said: 'No, we're going to do this just the way we did Simpsons.' And they said, 'Well, we don't do business that way anymore.' And I said, 'Oh, well, that's the only way I do business.'" After negotiations, he received the same independence with Futurama. The name "Futurama" comes from a pavilion at the 1939 New York World's Fair. Designed by Norman Bel Geddes, the Futurama pavilion depicted how he imagined the world would look in 1959.
Read more about this topic: Futurama (season 1)
Famous quotes containing the word production:
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)