Building
Fulton Hall, named after Robert Fulton, Lancaster County's steam engine pioneer, was built on the foundation of Lancaster's pre-Revolutionary jail. In 1763, a vigilante gang known as the Paxtang Boys massacred the Conestoga Indians being held there for their protection. This was a monumental event throughout the colonies and became the subject matter for the first plays ever written on American soil - A Dialogue Between Andrew Trueman and Thomas Zealot About the Killing the Indians at Cannestogoe and Lancaster and The Paxton Boys, a Farce. The exterior wall of the jail courtyard is now the back wall of the theatre. Christopher Hager, a Lancaster merchant and civic leader, commissioned the renowned Philadelphia architect Samuel Sloan (who later designed the Lancaster County Courthouse) to create a building that would serve as a community center for meetings, lectures, concerts, and theatrical performances. The building was erected in 1852.
The Fulton Theatre was later modified by noted theatrical architect Edwin Forrest Durang, is one of only three theatres recognized as National Historic Landmarks (the others are the Walnut Street Theatre in Philadelphia and the Goldenrod Showboat in St. Louis, Missouri). The 1959 production of Our Town, starring Jeanne Clemson, marked that first time that a live theater production had been performed at the Fulton Opera House in thirty years.
Read more about this topic: Fulton Opera House
Famous quotes containing the word building:
“I love art, and I love history, but it is living art and living history that I love.... It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigour of the earlier world?”
—William Morris (1834–1896)
“The real dividing line between early childhood and middle childhood is not between the fifth year and the sixth year—it is more nearly when children are about seven or eight, moving on toward nine. Building the barrier at six has no psychological basis. It has come about only from the historic-economic-political fact that the age of six is when we provide schools for all.”
—James L. Hymes, Jr. (20th century)
“People do not know the natural infirmity of their mind: it does nothing but ferret and quest, and keeps incessantly whirling around, building up and becoming entangled in its own work, like our silkworms, and is suffocated in it: a mouse in a pitch barrel.”
—Michel de Montaigne (1533–1592)