Reception
The Fruits Basket manga series is one of the top manga series in both Japan and in the US. More than 18 million copies have been sold in Japan making it the second best selling shōjo manga series in Japan. It is Tokyopop's best selling manga series, with more than 2 million copies sold as of 2006. The fifteenth volume of the English release rose to the 15th position on the USA Today Top 150 Bestselling Books, which is the highest position ever achieved by a volume of manga in the United States. The eighteenth volume debuted at the top of the Nielsen BookScan sales list, while the nineteenth volume was the second bestselling graphic novel in March 2008. Despite a slow manga market, Fruits Basket remained the second highest overall selling manga series among the Bookscan companies in 2007. The final volume of the English adaptation was a New York Times manga bestseller from June 28 through July 25, moving from #2 to #1 in the list in the week of July 19–25. The volume dropped back down to second place the following week, then dropped to 4th place in the week of August 8. The final volume remained on the best seller list for 12 weeks.
The Fruits Basket manga received the 2001 Kodansha Manga Award in the shōjo manga category and the "Best Manga" award at the 2007 American Anime Awards. In 2001, the Fruits Basket anime won a Animage Anime Grand Prix award.
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Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)