Fruit Machine (homosexuality Test)
"Fruit machine" is a jocular term for a device developed in Canada that was supposed to be able to identify homosexual people, or "fruits." The subjects were made to view pornography, and the device measured the diameter of the pupils of the eyes (pupillary response test), perspiration, and pulse for a supposed erotic response.
The fruit machine was employed in Canada in the 1950s and 1960s during a campaign to eliminate all homosexuals from the civil service, the Royal Canadian Mounted Police (RCMP), and the military. A substantial number of workers did lose their jobs. Although funding for the "fruit machine" project was cut off in the late 1960s, the investigations continued, and the RCMP collected files on over 9,000 suspected homosexuals.
The chair was like one from a dentist's office. It had a pulley with a camera going towards the pupils. There was a black box in front of it that showed pictures. The pictures ranged from the mundane to sexually explicit photos of men and women. It had previously been determined that the pupils would dilate in relation to the amount of interest in the picture. This was called the pupillary response test.
People were told the machine was to rate stress. After knowledge of its real purpose became widespread, few people volunteered for it.
Read more about Fruit Machine (homosexuality Test): Faulty Test Parameters
Famous quotes containing the words fruit and/or machine:
“What is a child, monsieur, but the image of two beings, the fruit of two sentiments spontaneously blended?”
—Honoré De Balzac (1799–1850)
“... in the fierce competition of modern society the only class left in the country possessing leisure is that of women supported in easy circumstances by husband or father, and it is to this class we must look for the maintenance of cultivated and refined tastes, for that value and pursuit of knowledge and of art for their own sakes which can alone save society from degenerating into a huge machine for making money, and gratifying the love of sensual luxury.”
—Mrs. H. O. Ward (1824–1899)