From Me To You - Melody and Lyrics

Melody and Lyrics

"From Me to You" comprises five verses and two bridges. The form is Intro, V V B, V V B, V, Coda. The first half of the fourth verse is instrumental. The last half of each verse is a mini-refrain, while the lyrics of the bridges are identical. The verses each consist of a rather short eight measures played in C-major. In the bridge the song modulates to the subdominant (IV) key: F-major. The tonic-subdominant modulation is almost a cliché, but Lennon & McCartney avoids the cliché by going another route from I to IV than the standard I-I7-IV. At the bridge's climax, the chord changes are accompanied by "woo!" Another characterising element in the bridge is the augmented chord - a Gaug - that ends the bridge and leads back to home key (C-major). Lennon plays prominent harmonica solos during the beginning, middle and end of the song, as he did with "Love Me Do".

McCartney said of the song:

The thing I liked about "From Me to You" was it had a very complete middle. It went to a surprising place. The opening chord of the middle section of that song heralded a new batch for me. That was a pivotal song. Our songwriting lifted a little with that song.

McCartney later stated he first realised the impact of their songwriting when he heard a milkman whistling the tune.

The idea of singing the song's opening lick—the "da da da da da dum dum da" part—was suggested by George Martin, the Beatles' producer. The group thought it unusual but put their trust in Martin. "In a way, this made aware of George's enormous musical sense," EMI producer Ron Richards later said.

In the song, the singer offers his love to the object of his affections—he has "everything that you want". Although the song is based on first-person pronouns, it lacks a lead singer.

Read more about this topic:  From Me To You

Famous quotes containing the words melody and/or lyrics:

    A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why.
    Percy Bysshe Shelley (1792–1822)

    Chad and I always look for deeper meanings; we can analyze Beastie Boys lyrics for hours.
    Amy Stewart (b. 1975)