Fringe Theatre - Elements of A Typical Fringe Theatre Production

Elements of A Typical Fringe Theatre Production

The limitations and opportunities that the Fringe festival format presents lead to some common features.

Shows are not judged or Juried, but are accepted in the order received until all performance spaces are filled.

Shows are typically technically sparse; they are commonly presented in shared venues, often with shared technicians and limited technical time, so sets and other technical theatre elements are kept simple. Venues themselves are often adapted from other uses.

Casts tend to be smaller than mainstream theatre; since many of the performing groups are traveling, and venues (and thus potential income) tend to be fairly small, expenses must usually be kept to a minimum. One-person shows are therefore quite common at Fringe festivals.

Fringe festival productions often showcase new scripts, especially ones on more obscure, edgy or unusual material. The lack of artistic vetting combined with relatively easy entry make risk-taking more feasible.

While most mainstream theatre shows are two or three acts long, taking two to three hours with intermissions, fringe shows tend to be closer to one hour, single-act productions. The typically lowered ticket prices of a fringe theatre show permit audiences to attend multiple shows in a single evening.

Performers sometimes billet in the homes of local residents, further reducing their costs.

Read more about this topic:  Fringe Theatre

Famous quotes containing the words elements of, elements, typical, fringe, theatre and/or production:

    In spite of all their kind some elements of worth
    With difficulty persist here and there on earth.
    Hugh MacDiarmid (1892–1978)

    But all subsists by elemental strife;
    And Passions are the elements of Life.
    Alexander Pope (1688–1744)

    It was announced that the trouble was not “malignant.”... It was a typical triumph of modern science to find the only part of Randolph that was not malignant and remove it.
    Evelyn Waugh (1903–1966)

    Look carefully through all the claims pressing upon you in your complicated life, and decide once and for all what it is that is the one really important and overmastering duty in it, and should be the one dominating aim. Then remember that if you succeed in that, the others, so multifarious, are really no more than the fringe of the garment, and that you need not spend so much anxiety over them, provided that the one most important is faithfully attended to.
    Anna C. Brackett (1836–1911)

    ... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.
    Rebecca West (1892–1983)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)