Fringe Theatre - Elements of A Typical Fringe Theatre Production

Elements of A Typical Fringe Theatre Production

The limitations and opportunities that the Fringe festival format presents lead to some common features.

Shows are not judged or Juried, but are accepted in the order received until all performance spaces are filled.

Shows are typically technically sparse; they are commonly presented in shared venues, often with shared technicians and limited technical time, so sets and other technical theatre elements are kept simple. Venues themselves are often adapted from other uses.

Casts tend to be smaller than mainstream theatre; since many of the performing groups are traveling, and venues (and thus potential income) tend to be fairly small, expenses must usually be kept to a minimum. One-person shows are therefore quite common at Fringe festivals.

Fringe festival productions often showcase new scripts, especially ones on more obscure, edgy or unusual material. The lack of artistic vetting combined with relatively easy entry make risk-taking more feasible.

While most mainstream theatre shows are two or three acts long, taking two to three hours with intermissions, fringe shows tend to be closer to one hour, single-act productions. The typically lowered ticket prices of a fringe theatre show permit audiences to attend multiple shows in a single evening.

Performers sometimes billet in the homes of local residents, further reducing their costs.

Read more about this topic:  Fringe Theatre

Famous quotes containing the words elements of, elements, typical, fringe, theatre and/or production:

    Let us have a fair field! This is all we ask, and we will be content with nothing less. The finger of evolution, which touches everything, is laid tenderly upon women. They have on their side all the elements of progress, and its spirit stirs within them. They are fighting, not for themselves alone, but for the future of humanity. Let them have a fair field!
    Tennessee Claflin (1846–1923)

    The Laws of Nature are just, but terrible. There is no weak mercy in them. Cause and consequence are inseparable and inevitable. The elements have no forbearance. The fire burns, the water drowns, the air consumes, the earth buries. And perhaps it would be well for our race if the punishment of crimes against the Laws of Man were as inevitable as the punishment of crimes against the Laws of Nature—were Man as unerring in his judgments as Nature.
    Henry Wadsworth Longfellow (1807–1882)

    New York is the meeting place of the peoples, the only city where you can hardly find a typical American.
    Djuna Barnes (1892–1982)

    Look carefully through all the claims pressing upon you in your complicated life, and decide once and for all what it is that is the one really important and overmastering duty in it, and should be the one dominating aim. Then remember that if you succeed in that, the others, so multifarious, are really no more than the fringe of the garment, and that you need not spend so much anxiety over them, provided that the one most important is faithfully attended to.
    Anna C. Brackett (1836–1911)

    The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.
    Enid Bagnold (1889–1981)

    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
    Debbie Taylor (20th century)