Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | A |
| Rolling Stone | |
Freedom has received mainly positive reviews. Allmusic's William Ruhlmann rated the album four-and-a-half out of five stars, explaining that it "was the album Neil Young fans knew he was capable of making, but feared he would never make again." He also stated that "there were tracks that harked back to acoustic-based, country-tinged albums." Robert Christgau, writing for The Village Voice, rated it an A. He declared that it contains a combination of "the folk ditties and rock galumph that made him famous" and "the Nashvillisms and horn charts that made him infamous." He also stated that "it features a bunch of good stuff about a subject almost no rocker white or black has done much with". David Fricke of Rolling Stone rated it five out of five stars. He called it "the sound of Neil Young, another decade on, looking back again in anger and dread." He also explained that it is about "the illusion of freedom" and "Young's refusal to accept that as the last word on the subject." He summed up the review by calling it "a harsh reminder that everything still comes with a price."
Allmusic reviewer Matthew Greenwald had particular praise for the second track, "Crime in the City", calling it "undoubtedly the centerpiece of the album", "cinematic in scope", and "one of Neil Young's most accomplished works".
Read more about this topic: Freedom (Neil Young album)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)