Architecture
The Italian palazzo-style hall was built on a trapeziform site in ashlar sandstone. It has a two-storey, nine-bay facade and concealed roof. On Peter Street, its ground floor arcade has rectangular piers with round-headed arches and spandrels bearing the coats of arms of Lancashire towns which took part in the Anti-Corn Law movement. The upper floor has a colonnaded arcade, its tympana frieze is richly decorated with carved figures representing free trade, the arts, commerce, manufacture and the continents. Above the tympanum is a prominent cornice with balustraded parapet. The upper floor has paired Ionic columns to each bay and a tall window with a pedimented architrave behind a balustraded balcony. The return sides have three bays in a matching but simpler style of blank arches. The rear wall was rebuilt in 1950–51 with pilasters surmounted by relief figures representing the entertainment which took place in the old hall. The Large Hall was in a classical style with a coffered ceiling, the walls had wood panelling in oak, walnut and sycamore. Pevsner described it as "the noblest monument in the Cinquecento style in England", whilst Hartwell considered it "a classic which belongs in the canon of historic English architecture."
After its closure, the hall was sold and after a protracted planning process and consultations with English Heritage, its conversion to a hotel was agreed. During the hotel's construction, the Windmill Street and Southmill Street facades were demolished and the north block retained and connected by a triangular glazed atrium to a 15-storey block clad in stone and glass. Artifacts salvaged from the old hall, including 1950s statues by Arthur Sherwood Edwards and framed wall plaster autographed by past performers, decorate the atrium light well.
Read more about this topic: Free Trade Hall
Famous quotes containing the word architecture:
“No architecture is so haughty as that which is simple.”
—John Ruskin (1819–1900)
“Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.”
—Horace Walpole (1717–1797)
“And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow.”
—Ralph Waldo Emerson (1803–1882)