Fredkin Gate - Definition

Definition

The basic Fredkin gate is a controlled swap gate that maps three inputs (C, I1, I2) onto three outputs (C, O1, O2). The C input is mapped directly to the C output. If C = 0, no swap is performed; I1 maps to O1, and I2 maps to O2. Otherwise, the two outputs are swapped so that I1 maps to O2, and I2 maps to O1. It is easy to see that this circuit is reversible, i.e., "undoes itself" when run backwards. A generalized n×n Fredkin gate passes its first n-2 inputs unchanged to the corresponding outputs, and swaps its last two outputs if and only if the first n-2 inputs are all 1.

The Fredkin gate is the reversible three-bit gate that swaps the last two bits if the first bit is 1.

Truth table Matrix form
INPUT OUTPUT
C I1 I2 C O1 O2
0 0 0 0 0 0
0 0 1 0 0 1
0 1 0 0 1 0
0 1 1 0 1 1
1 0 0 1 0 0
1 0 1 1 1 0
1 1 0 1 0 1
1 1 1 1 1 1

\begin{bmatrix} 1 & 0 & 0 & 0 & 0 & 0 & 0 & 0 \\ 0 & 1 & 0 & 0 & 0 & 0 & 0 & 0 \\ 0 & 0 & 1 & 0 & 0 & 0 & 0 & 0 \\ 0 & 0 & 0 & 1 & 0 & 0 & 0 & 0 \\ 0 & 0 & 0 & 0 & 1 & 0 & 0 & 0 \\ 0 & 0 & 0 & 0 & 0 & 0 & 1 & 0 \\ 0 & 0 & 0 & 0 & 0 & 1 & 0 & 0 \\ 0 & 0 & 0 & 0 & 0 & 0 & 0 & 1 \\ \end{bmatrix}

It has the useful property that the numbers of 0s and 1s are conserved throughout, which in the billiard ball model means the same number of balls are output as input. This corresponds nicely to the conservation of mass in physics, and helps to show that the model is not wasteful.

Read more about this topic:  Fredkin Gate

Famous quotes containing the word definition:

    “The definition of good prose is proper words in their proper places; of good verse, the most proper words in their proper places. The propriety is in either case relative. The words in prose ought to express the intended meaning, and no more; if they attract attention to themselves, it is, in general, a fault.”
    —Samuel Taylor Coleridge (1772–1834)

    “Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty not in the most abstract, but in the most concrete terms possible, not to find a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics.”
    —Walter Pater (1839–1894)

    “According to our social pyramid, all men who feel displaced racially, culturally, and/or because of economic hardships will turn on those whom they feel they can order and humiliate, usually women, children, and animals—just as they have been ordered and humiliated by those privileged few who are in power. However, this definition does not explain why there are privileged men who behave this way toward women.”
    —Ana Castillo (b. 1953)