Poetry
Momaday offers a general estimation of the poet and the poetry: "Tuckerman was a man who made herbariums. He had an eye for the minutest aspects of the world. When he wished to focus upon the veins of a leaf, or to find a metaphor for the appearance of an evergreen spine, he could do so with extraordinary skill. His poems are remarkable, point-blank descriptions of nature; they are filled with small, precise, and whole things: purring bees and vervain spikes, shives and amaryllis, wind flowers and stramony. But Tuckerman has more to recommend him than an eye and a nomenclature. His sensibilities are refined; his sensitivity is acute. His experience is pervaded by an always apparent sense of grief. He knows well the side of Man that is most vulnerable to pain, and he treats of it throughout his work with respect and compassion, often with great power and beauty.
But he was also a poet of the nineteenth century, and one who admired Tennyson above others. There is a good deal of bad writing in Tuckerman, and there are many obscurities... occur for the most part in the longer poems, especially those of narrative character. Often they are marred by a tediousness of expression and an overwrought consistency of mood."
Edmund Wilson comments on the issue of Tuckerman's obscurity: "...one of the queerest features of Tuckerman's work is his habit of alluding, not merely to characters from Biblical or classical antiquity so obscure that one cannot believe they are real till one finds them in a concordance or a classical dictionary, but also to personages who cannot be found because their names have been made up by the poet."
Read more about this topic: Frederick Goddard Tuckerman
Famous quotes containing the word poetry:
“The author’s conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (1885–1972)
“It is at the same time by poetry and through poetry, by and through music, that the soul glimpses the splendors found behind the tomb; and when an exquisite poem brings tears to one’s eyes, these tears are not the sign of excessive pleasure, they are rather witness to an irritated melancholy, to a condition of nerves, to a nature exiled to imperfection and which would like to seize immediately, on this very earth, a revealed paradise.”
—Charles Baudelaire (1821–1867)
“If poetry should address itself to the same needs and aspirations, the same hopes and fears, to which the Bible addresses itself, it might rival it in distribution.”
—Wallace Stevens (1879–1955)