1940's
Zinnemann moved to Hollywood in December, 1934 following the completion of his first directorial effort for the Mexican cultural protest film, Redes, in Alvarado, Mexico. He established residence in a studio apartment complex at 7900 Honey Drive in North Hollywood with Henwar Rodakiewicz, Gunther von Fritsch and Ned Scott, all fellow contributors to the Mexican film effort. One of Zinnemann's first assignments in Hollywood was when he found work as an extra in All Quiet on the Western Front (1930), although he was later discharged from the production. After some success with short films, he graduated to features in 1942, turning out two crisp B mysteries, Eyes in the Night and Kid Glove Killer before getting his big break with The Seventh Cross (1944), starring Spencer Tracy, which was his first hit. The film was based on Anna Seghers' novel and, while filmed entirely on the MGM backlot, made realistic use of refugee German actors in even the smallest roles. The central character—an escaped prisoner played by Tracy—is seen as comparatively passive and fatalistic. He is, however, the subject of heroic assistance from anti-Nazi Germans. In a sense, the protagonist of the film is not the Tracy character but a humble German worker played by Hume Cronyn, who changes from Nazi sympathizer to active opponent of the regime as he aids Tracy.
After World War II ended, Zinnemann learned that both of his parents had died in the Holocaust. He was further frustrated by his studio contract, which dictated that he did not have a choice in directing films like My Brother Talks to Horses (1947) and Little Mr. Jim (1947) despite his lack of interest in their subject matter. However, his next film, The Search (1948), won an Oscar for screenwriting and secured his position in the Hollywood establishment. Shot in war-ravaged Germany, the film stars Montgomery Clift in his screen debut as a GI who cares for a lost Czech boy traumatised by the war. It was followed by Act of Violence (1948), a gritty film noir starring Van Heflin as a haunted POW, Robert Ryan as his hot-tempered former friend, Janet Leigh as Heflin's wife, and Mary Astor as a sympathetic prostitute. Zinnemann considered Act of Violence the first project in which he "felt comfortable knowing exactly what I wanted and exactly how to get it."
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