Career
After attending Swansea University, he taught in the East End of London during the 1960s and then at South Bristol College, before taking up music full time in the 1970s. Wedlock was a regular performer at the Bristol Troubadour Club and he played the folk circuit, both prior to, and in the wake of, his single chart success, with performances at clubs and festivals all over the world. He also presented many programmes on West Country TV. In 1997 Wedlock took a leading role in Bristol Old Vic's production of Up the Feeder, Down the Mouth, a theatrical history of Bristol Docks, written by A. C. H. Smith. In 2001 the production was remounted on the waterfront. He also appeared in several productions for Bristol theatre company, The Ministry of Entertainment, most recently in December 2009.
Wedlock's albums include The Folker (1971) (notable for the title track parody of "The Boxer" by Simon and Garfunkel), Frolicks (1973), Out of Wedlock (1978), The Oldest Swinger in Town (1981) and Fred Wedlock Live (1982). In early 1981 "The Oldest Swinger in Town", reached number 6 in the UK Singles Chart.
His daughter, Hannah Wedlock, was an occasional member of the Pigsty Hill Light Orchestra, another Bristol-based outfit, whom Fred made his support band at an early stage of their career. She now performs with the Blue Note Jazz Band. His grandfather, Billy Wedlock, captained Bristol City F.C. and was a regular for England in the early 20th century. The Wedlock stand at Ashton Gate is named in his honour. He lived at Amesbury near Timsbury, Somerset where for many years he contributed to village life by providing entertainment and helping with raising funds for local projects.
Read more about this topic: Fred Wedlock
Famous quotes containing the word career:
“John Browns career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (18171862)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)