Fred Perry - Sporting Legacy

Sporting Legacy

Perry is considered by some to have been one of the greatest male players ever to have played the game. In his 1979 autobiography Jack Kramer, the long-time tennis promoter and great player himself, called Perry one of the six greatest players of all time.

Kings of the Court, a video-tape documentary made in 1997 in conjunction with the International Tennis Hall of Fame, named Perry one of the ten greatest players of all time. But this documentary only considered those players who played before the Open era of tennis that began in 1968, with the exception of Rod Laver, who spanned both eras, so that all of the more recent great players are missing.

Kramer, however, had several caveats about Perry. He says that Bill Tilden once called Perry "the world's worst good player". Kramer says that Perry was "extremely fast; he had a hard body with sharp reflexes, and he could hit a forehand with a snap, slamming it on the rise—and even on the fastest grass. That shot was nearly as good as Segura's two-handed forehand." His only real weakness, says Kramer, "was his backhand. Perry hit underslice off that wing about 90 percent of the time, and eventually at the very top levels—against Vines and Budge—that was what did him in. Whenever an opponent would make an especially good shot, Perry would cry out 'Very clevah.' I never played Fred competitively, but I heard enough from other guys that 'Very clevah' drove a lot of opponents crazy."

Kramer also says that in spite of his many victories, both as an amateur and as a professional, Perry was an "opportunist, a selfish and egotistical person, and he never gave a damn about professional tennis. He was through as a player the instant he turned pro. He was a great champion, and he could have helped tennis, but it wasn't in his interest so he didn't bother." Kramer then recounts several instances in which it was clear to him that Perry was losing matches in which he had given up because he "wanted to make sure that the crowd understood that this was all beneath him."

Perry, however, recalled his days on the professional tour differently. He maintained that "there was never any easing up in his tour matches with Ellsworth Vines and Bill Tilden since there was the title of World Pro Champion at stake." He said "I must have played Vines in something like 350 matches, yet there was never any fixing as most people thought. There were always people willing to believe that our pro matches weren't strictly on the level, that they were just exhibitions. But as far as we were concerned, we always gave everything we had."

A final comment from Kramer is that Perry unwittingly "screwed up men's tennis in England, although this wasn't his fault. The way he could hit a forehand—snap it off like a ping-pong shot—Perry was a physical freak. Nobody else could be taught to hit a shot that way. But the kids over there copied Perry's style, and it ruined them. Even after Perry faded out of the picture, the coaches there must have kept using him as a model."