Works
Pfeiffer's most significant work is arguably the second volume of his Die deutschen Mystiker (German Mysticism). In this volume Pfeiffer collected the surviving German texts of the 14th Century mystic Meister Eckhart, who was at that time largely forgotten. This publication of the German Eckhartian corpus led to the modern revival of interest in Eckhart. Though there was subsequent dispute as to how many of the texts in Pfeiffer's edition are genuinely by Eckhart, his edition remains the standard and classic reference. The early translators of Eckhart into English, Evans and Blakney, depended largely on Pfeiffer for their source material.
His own work:
- Zur deutschen Literaturgeschichte
- Freie Forschung: kleine Schriften zur Geschichte der deutschen Litteratur und Sprache (1867)
- Über Wesen und Bildung der hofischen Sprache in mittelhochdeutscher Zeit
- Der Dichter des Nibelungenliedes (1862)
- Forschung und Kritik auf dem Gebiete des deutschen Altertums
- Altdeutsches Übungsbuch.
He edited:
- Barlaam und Josaphat, Rudolf von Ems (1843)
- Edelstein, Ulrich Boner (1844)
- Die deutschen Mystiker des 14. Jahrhunderts (1845-1857)
- Nikolaus von Jeroschin, Deutsche Ordenschronik (“Chronicle of the Teutonic Knights,” 1854)
- Buch der Natur of Konrad von Megenberg, a 14th century writer (1861)
- Die Predigten des Berthold von Regensburg, vol. 1, vol. 2 (1862,1880)
- Poems of Walther von der Vogelweide (1864; 6th ed., 1880) This work was his contribution to a series he founded called Deutsche Klassiker des Mittelalters (“German classics of the Middle Ages”).
Read more about this topic: Franz Pfeiffer
Famous quotes containing the word works:
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
—Henry David Thoreau (1817–1862)