Style
Marc made some sixty prints, in woodcut and lithography. Most of his mature work portrays animals, usually in natural settings. His work is characterized by bright primary color, an almost cubist portrayal of animals, stark simplicity and a profound sense of emotion. His work attracted notice in influential circles even in his own time. Marc gave an emotional meaning or purpose to the colors he used in his work: blue was used for masculinity and spirituality, yellow represented feminine joy, and red encased the sound of violence. After the National Socialists took power, they suppressed modern art; in 1936 and 1937, the Nazis condemned Marc as an entarteter Künstler (degenerate artist), and ordered that approximately 130 of his works be taken from exhibit in German museums.
Franz Marc's best-known painting is probably Tierschicksale (also known as Animal Destinies or Fate of the Animals), which hangs in the Kunstmuseum Basel. Marc completed the work in 1913, when "the tension of impending cataclysm had pervaded society", as one art historian noted. On the rear of the canvas, Marc wrote, "Und Alles Sein ist flammend Leid" ("And all being is flaming agony"). Conscripted during World War I, Marc wrote to his wife of the painting, it "is like a premonition of this war—horrible and shattering. I can hardly conceive that I painted it."
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Famous quotes containing the word style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.”
—Ernest Hemingway (1899–1961)