Film Director
Tashlin moved on from animation in 1946 to become a gag writer for the Marx Brothers, Lucille Ball, and others, and as a screenwriter for stars such as Bob Hope and Red Skelton. His live-action films still echo elements of his animation background; Tashlin peppers them with unlikely sight gags, breakneck pacing, and unexpected plot twists.
Tashlin began his career directing feature films when he was asked to finish directing the 1951 film The Lemon Drop Kid starring Bob Hope.
Beginning with the 1956 film The Girl Can't Help It, with its satirical look at early rock and roll, Tashlin had a streak of commercial successes with the Martin and Lewis film Hollywood or Bust in 1956, Will Success Spoil Rock Hunter? in 1957, and six of Jerry Lewis' early solo films (Rock-A-Bye Baby, The Geisha Boy, Cinderfella, It's Only Money, Who's Minding the Store?, and The Disorderly Orderly). Many of these have attained cult status.
Moreover, in the 1950s Tashlin came to the approving attention of French film magazine Cahiers du Cinéma, in reviews that the director dismissed as "all this philosophical double-talk." Also, Rock Hunter's broad, colorful satire of Madison Avenue advertising earned it a spot on the National Film Registry in 2000.
In the 1960s, Tashlin's films lost some of their spark, and his career ended in the latter part of that decade, along with those of most of the stars with whom he had worked. His final film was The Private Navy of Sgt. O'Farrell starring Bob Hope and Phyllis Diller in 1968. He made a brief return at MGM in the 1960s to produce the animated film The Bear that Wasn't, based on his own book (see below).
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Famous quotes containing the word film:
“You should look straight at a film; thats the only way to see one. Film is not the art of scholars but of illiterates.”
—Werner Herzog (b. 1942)