Work
Paul's work is characterized by dramatic compositions (often involving enormous machines, robots or spaceships), bright or even garish colors, and a limited ability to depict human faces, especially the female ones. His early architectural training is also evident in his work.
Among his credits, Paul painted 38 covers for Amazing Stories from April 1926 to June 1929 and 7 for the Amazing Stories Annual and Quarterly; with several dozen additional issues featuring his art on the back cover (May 1939 to July 1946), and several issues from April 1961 to September 1968 featuring new or reproduced art. After Gernsback lost control of Amazing Stories in 1929, Paul followed him to the magazines Air Wonder Stories, Science Wonder Stories, and Wonder Stories and the associated quarterlies, which published 103 of his color covers from June 1929 to April 1936. Paul also painted covers for Planet Stories, Superworld Comics, Science Fiction magazine, and the first issue (October–November, 1939) of Marvel Comics. This last item featured the debuts of Human Torch and Sub-Mariner, and good copies sell at auction for twenty to thirty thousand dollars. All totaled, his magazine covers exceed 220.
His most famous Amazing Stories cover is probably that from August 1927, illustrating a reprint of H. G. Wells' The War of the Worlds.
Read more about this topic: Frank R. Paul
Famous quotes containing the word work:
“The great work must inevitably be obscure, except to the very few, to those who like the author himself are initiated into the mysteries. Communication then is secondary: it is perpetuation which is important. For this only one good reader is necessary.”
—Henry Miller (1891–1980)
“... when we shall have our amendment to the Constitution of the United States, everyone will think it was always so, just exactly as many young people believe that all the privileges, all the freedom, all the enjoyments which woman now possesses were always hers. They have no idea of how every single inch of ground that she stands upon to-day has been gained by the hard work of some little handful of women of the past.”
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“But I must needs take my petulance, contrasting it with my accustomed morning hopefulness, as a sign of the ageing of appetite, of a decay in the very capacity of enjoyment. We need some imaginative stimulus, some not impossible ideal which may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine- work which is so large a part of life.”
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