Puppeteering Career
Oz is known for his work as a puppeteer, performing with Jim Henson's Muppets. His characters have included Miss Piggy, Fozzie Bear, Animal, and Sam the Eagle on The Muppet Show, and Grover, Cookie Monster and Bert on Sesame Street, among many others.
In addition to performing a variety of characters, Oz has been one of the primary collaborators responsible for the development of the Muppets over the last 30 years. Oz has performed as a Muppeteer in over 75 movies including Labyrinth, video releases, and television specials, as well as countless other public appearances, episodes of Sesame Street, and other Jim Henson series. His puppetry work spans from 1963 to the present, though he has retired full-time from the Muppets. His Muppets were taken over by Eric Jacobson and David Rudman in 2002, though Oz still performs his Sesame Street characters on occasion.
Oz is also known as the performer of Jedi Master Yoda from George Lucas' Star Wars series. Oz performed the voice and puppet for Yoda in The Empire Strikes Back, Return of the Jedi and The Phantom Menace, and provided the voice of the computer-generated imagery (CGI) Yoda in Attack of the Clones and Revenge of the Sith. The conversion to CGI was met with some criticism among fans but Oz himself said that was "exactly what should have done." Oz had a great deal of creative input on the character and was himself responsible for creating the character's trademark syntax (whose nature some professional syntacticians discuss in their spare time). George Lucas was so impressed by Oz's performance as Yoda in The Empire Strikes Back that he tried to get him an Oscar nomination for Best Supporting Actor. Oz reprised his vocal role as Yoda in Disney's Star Tours: The Adventures Continue.
Read more about this topic: Frank Oz
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)