Analysis of Literary Work
Davis said he was captivated early on by "the new revolutionary style called free verse. Sonnets and, in fact, all rhyme held little interest for" him. Davis found inspiration in Midwestern poets and their use of vernacular language and claimed his "greatest single influence" was the poetry of Carl Sandburg "because of his hard, muscular poetry."
Richard Guzman highlights Davis' poetry for its "social engagement, especially in the fight against racism" as well as its "fluent language and stunning imagery". Stacy I. Morgan states that in his work, Davis "delighted in contradicting reader expectations".
Read more about this topic: Frank Marshall Davis
Famous quotes containing the words literary work, analysis of, analysis, literary and/or work:
“I understood that all the material of a literary work was in my past life, I understood that I had acquired it in the midst of frivolous amusements, in idleness, in tenderness and in pain, stored up by me without my divining its destination or even its survival, as the seed has in reserve all the ingredients which will nourish the plant.”
—Marcel Proust (1871–1922)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“Carlyle, to adopt his own classification, is himself the hero as literary man.”
—Henry David Thoreau (1817–1862)
“If the heart beguiles itself in its choice [of a wife], and imagination will give excellencies which are not the portion of flesh and blood:Mwhen the dream is over, and we awake in the morning, it matters little whether ‘tis Rachael or Leah,—be the object what it will, as it must be on the earthly side ... of perfection,—it will fall short of the work of fancy, whose existence is in the clouds.”
—Laurence Sterne (1713–1768)