Career
For Weird Tales (November 1950), Freas did his first fantasy magazine cover, illustrating H. Russell Wakefield's "The Third Shadow" with his painting "The Piper". With his illustrating career underway, he continued to devise unique and imaginative concepts for other fantasy and science fiction magazines of that period. In a field where airbrushing is common practice, paintings by Freas are notable for his use of bold brush strokes, and a study of his work reveals his experimentation with a wide variety of tools and techniques.
Over the next five decades, he created covers for numerous books and magazines, notably Astounding Science Fiction both before and after its title change to Analog; Mad magazine (for whom he painted many early covers featuring the iconic character, Alfred E. Neuman) from 1958 to 1962 (he started at Mad in February 1957 and by July 1958 was the magazine's new cover artist; he painted most of its covers until October 1962); cover art for DAW, Signet, Ballantine Books, Avon, all 58 Laser Books (which are now collectors' items), and over 90 covers for Ace books alone. He was editor and artist for the first ten Starblaze books. He was a participant in one of the all-time great literary hoaxes, I, Libertine (Ballantine Books, 1956), along with Jean Shepherd, Ian Ballantine and Theodore Sturgeon, incorporating several hidden jokes and references into his cover painting for that book. That same year he drew cartoon illustrations for Bernard Shir-Cliff's The Wild Reader, also for Ballantine.
Freas was commissioned to paint the Skylab I insignia design and posters promoting the space program (used by NASA and now hanging in the Smithsonian Institution); pinup girls on bombers while in the United States Army Air Forces; comic book covers; the covers of the GURPS worldbooks Lensman and Planet Krishna; and many others, such as more than 500 saints' portraits for the Franciscans executed simultaneously with his portraits of Alfred E. Neuman ("What? Me Worry?") for Mad. He was very active in gaming and medical illustration. His cover of Queen's album News of the World (1977) was a pastiche of his much-admired sad robot cover illustrating Tom Godwin's "The Gulf Between" for Astounding Science Fiction (October 1953).
Freas published several collections of his artwork and frequently gave presentations. His work appeared in numerous exhibitions. Among many other awards, Freas was the first person to receive ten Hugo awards. He was nominated 20 times. No other artist in science fiction has consistently matched his record. His smooth and luminous images, amiable aliens and sexy women have become part of today's science fiction visual language.
Freas was twice honored as a Guest of Honor at the Worldcon, the first time in 1982 at Chicon IV and again in 2003 at Torcon 3, although a fall suffered shortly before that convention precluded him from attending.
He died in West Hills, California and is buried in Oakwood Memorial Park Cemetery in Chatsworth. Both communities are suburbs of Los Angeles, in the San Fernando Valley.
Read more about this topic: Frank Kelly Freas
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
—Marilyn Monroe (1926–1962)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)