Adaptation
Director John Harrison has described his film adaptation as a "faithful interpretation" in which any changes he made served to suggest what Herbert had explained subtly or not at all. The miniseries introduces elements not found in Herbert's novel, but according to the director, these serve to elaborate rather than to edit.
Herbert's novel begins with lead character Paul Atreides being 15 years old and aging to 18 over the course of the story. Harrison aged the character to adulthood in order to increase the quality of the acting for this crucial role.
The miniseries invents an extensive subplot for Princess Irulan, a character who plays little part in the plot of the first novel. Harrison felt the need to expand Irulan's role because she played such an important part in later books, and epigraphs from her later writings opened each chapter of Dune. Additionally, the character gave him a window into House Corrino. Besides the final scene, the only one of Irulan's appearances based on an actual excerpt from the novel is her visit to Feyd-Rautha. However, in the book it is a different Bene Gesserit, Margot Fenring, who visits the Harkonnen heir, on assignment from the Bene Gesserit to "preserve the bloodline" by retrieving his genetic material (through conception) for their breeding program. The miniseries does not suggest this as Irulan's motive.
Read more about this topic: Frank Herbert's Dune
Famous quotes containing the word adaptation:
“The real security of Christianity is to be found in its benevolent morality, in its exquisite adaptation to the human heart, in the facility with which its scheme accommodates itself to the capacity of every human intellect, in the consolation which it bears to the house of mourning, in the light with which it brightens the great mystery of the grave.”
—Thomas Babington Macaulay (1800–1859)
“In youth the human body drew me and was the object of my secret and natural dreams. But body after body has taken away from me that sensual phosphorescence which my youth delighted in. Within me is no disturbing interplay now, but only the steady currents of adaptation and of sympathy.”
—Haniel Long (1888–1956)
“Whatever there be of progress in life comes not through adaptation but through daring, through obeying the blind urge.”
—Henry Miller (1891–1980)