Frank Broyles - Criticism

Criticism

Broyles was known for being very hands-on with the football program. Indeed, at least one head coach, Ken Hatfield, left the school because he couldn't abide Broyles' meddling. After Hatfield left, at least one booster doubted whether the Razorbacks would ever attract a top-tier head coach as long as Broyles was athletic director.

In 2000, following an expansion of Razorback Stadium, Broyles announced that one home game would move from War Memorial Stadium in Little Rock to Fayetteville, and that, in the near future, all home games might be played on campus. This move, known in Arkansas as the "Great Stadium Debate," drew heavy fire from the politicians in Little Rock, as well as businessmen and Razorback boosters Warren Stephens (Stephens, Inc.) and Joe Ford (CEO of Alltel). Broyles held meetings in Little Rock to try to persuade his case, and the University Board of Trustees even took student responses to the Great Stadium Debate on the Fayetteville campus. In the end, a long term agreement was reached to keep 2-3 games in Little Rock, while the rest would be played in Fayetteville.

Broyles' relationship with Ted Herrod, a wealthy booster in Dallas, came under fire after Herrod was accused of overcompensating Razorback athletes who worked part-time jobs at his trucking company. A lengthy NCAA investigation followed, and the University was sanctioned and penalized by the NCAA.

Read more about this topic:  Frank Broyles

Famous quotes containing the word criticism:

    In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.
    Edgar Allan Poe (1809–1845)

    It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?
    Mary Barnett Gilson (1877–?)

    The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.
    George Steiner (b. 1929)