Style
Francisco Gabilondo Soler was able to mix a variety of styles in his songs, including the fox trot, tango (such as in the song “Che Araña”), U.S. country music( “El Raton Vaquero”) and Mexican ranchera music, always employing remarkably imaginative orchestration and rhythm. Cri-Cri's songs, of which he wrote both the music and the lyrics, became fables of sorts that had both an educational and an entertainment value. Some of his songs became so popular over the decades that a few of his characters have become forever engrained in Mexican popular culture, such as "La muñeca fea." This translates to "The Ugly Doll", a song that tells the story of an old broken doll who is sadly forgotten in an attic and is befriended by a mouse. Cri-Cri was a historically unique musician due to the multi-generational endurance of his songs and lyrics.
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Famous quotes containing the word style:
“The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (1835–1902)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)