Gallery
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Landscape with the Penitent Magdalene. c. 1728. Drawing. British Museum.
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Standing Female Figure Carrying a Lamp. (after Giovanni da San Giovanni). Etching. Florence, 1728. British Museum.
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Il Malmantile Racquistato.(Lorenzo Lippi, author). Etching by Francesco Zuccarelli. Florence, 1731.
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Landscape with Figures next to a Stream. c. 1736. Accademia Carrara, Bergamo.
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Self-portrait. Drawing in chalks. 1736 or 1738. Royal Academy of Arts, London.
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Bacchanal. Mid-1740s. Galleria dell'Accademia, Venice.
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Roman Capriccio with Triumphal Arch, the Pyramid of Cestius, St. Peter's Basilica and the Castle of the Holy Angel. Bernardo Bellotto and Francesco Zuccarelli. Mid-1740s. Galerie Nazionale, Parma.
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Rape of Europa. Mid-1740s. Galleria dell'Accademia, Venice.
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Burlington House. Antonio Visentini and Francesco Zuccarelli. 1746. Windsor Castle, London.
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Landscape with a Waterfall. 1747-8. Accademia Carrara, Bergamo.
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Old Testament Playing Cards. Francesco Zuccarelli and Antonio Visentini. Venice, 1748. British Museum.
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Pastoral scene. Early 1750s. Hermitage Museum, St. Petersburg.
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Margherita Tassi. 1751. Accademia Carrara, Bergamo.
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Landscape with Milking Scene. Mid-1750s. Ca' Rezzonico, Venice.
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Landscape with Girls at a River. Mid-1750s. Galleria dell'Accademia, Venice.
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River Landscape with the Finding of Moses. 1768. Windsor Castle, London.
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Bull Hunting. Early 1770s. Galleria dell'Accademia, Venice.
Read more about this topic: Francesco Zuccarelli
Famous quotes containing the word gallery:
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“It doesnt matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (18601904)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)