Career
Not long after marrying screenwriter Albert Hackett, the couple went to Hollywood in the late 1920s to write the screenplay for their stage success Up Pops the Devil for Paramount Pictures. In 1933 they signed a contract with MGM and remained with them until 1939. Among their earliest assignments was writing the screenplay for The Thin Man (1934). They were encouraged by the director W. S. Van Dyke to use the writing of Dashiell Hammett as a basis only, and to concentrate on providing witty exchanges for the principal characters, Nick and Nora Charles (played by William Powell and Myrna Loy). The resulting film was one of the major hits of the year, and the script, considered to show a modern relationship in a realistic manner for the first time, was considered to be groundbreaking. However this is only because it was written and released before the enactment of the Hollywood Production Code, which strictly censored movies from mid-1934 until the early 1960s (see Pre-Code). The other Nick and Nora films show a steep decline regarding the "groundbreaking maturity" of the Charles' marriage.
They received Academy Award for Screenplay nominations for The Thin Man, After the Thin Man (1936), Father of the Bride (1950) and Seven Brides for Seven Brothers (1955). They won Writers Guild of America awards for Easter Parade (1949), Father's Little Dividend (1951), Seven Brides for Seven Brothers (1954), and The Diary of Anne Frank (1959), as well as nominations for In the Good Old Summertime (1949), Father of the Bride (1950) and The Long, Long Trailer (1954). They also won a Pulitzer Prize for Drama for their original play The Diary of Anne Frank. Some of their other films include: Another Thin Man (1939) and It's a Wonderful Life (1946).
Read more about this topic: Frances Goodrich
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)