Frame Story - A Set of Stories

A Set of Stories

This literary device acts as a convenient conceit for the organization of a set of smaller narratives which are either of the devising of the author, or taken from a previous stock of popular tales slightly altered by the author for the purpose of the longer narrative. Sometimes a story within the main narrative can be used to sum up or encapsulate some aspect of the framing story, in which case it is referred to in literary criticism by the French term mise en abyme.

An early example of the frame story is The Book of One Thousand and One Nights, in which the character Scheherazade narrates a set of fairy tales to the Sultan Shahriyar over many nights. Many of Scheherazade's tales are also frame stories, such as Tale of Sindbad the Seaman and Sindbad the Landsman, a collection of adventures related by Sindbad the Seaman to Sindbad the Landsman.

An extensive use of this device is Ovid's Metamorphoses where the stories nest several deep, to allow the inclusion of many different tales in one work. Emily Brontë's Wuthering Heights uses this literary device to tell the story of Heathcliff and Catherine, along with the subplots.

Mary Shelley's novel Frankenstein is another good example of a book with multiple framed narratives. In the book, Robert Walton writes letters to his sister describing the story told to him by Victor Frankenstein; Frankenstein's story contains the creature's story; the creature's story even briefly contains the story of a family he had been living among.

Frame stories have also appeared in media forms, such as comic books. Neil Gaiman's comic book series The Sandman featured a story arc called Worlds End which consisted of Frame Stories, and sometimes even featured stories within stories within stories.

Frame stories are often organized as a gathering of people in one place for the exchange of stories. Each character tells his or her tale, and the frame tale progresses in that manner. Historically famous frame stories include Chaucer's Canterbury Tales, about a group of pilgrims who tell stories on their journey to Canterbury; and Boccaccio's Decameron about a group of young aristocrats escaping the Black Death to the countryside and spending the time telling stories.

Sometimes only one storyteller exists, and in this case there might be different levels of distance between the reader and author. In this mode, the frame tale can become more fuzzy. In the case of Washington Irving's Sketch Book, which contains "The Legend of Sleepy Hollow" and "Rip Van Winkle" among others, the conceit is that the author of the book is not Irving, but a certain gentleman named Crayon. Here the frame includes both the world of the imagined Crayon, his stories, and the possible reader who is assumed to play along and "know" who Crayon is.

Donald Westlake's short story "No Story" is a parody of frame stories, in which a series of narrators start to tell stories, each of which contains a narrator who starts to tell a story, culminating in a narrator who announces that there will be no story. Essentially, it is a frame story without a story to be framed.

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