Fox Music is the music arm of 20th Century Fox. It encompasses music publishing and licensing businesses, dealing primarily with Fox Entertainment Group television and film soundtracks. It is located inside the 20th Century Fox Film Corporation headquarters in Century City, California.
During CEO Robert Kraft's current tenure at Fox, dozens of Fox scores and soundtracks have become platinum or gold records. Highlights include the record-breaking soundtracks from Titanic, Waiting to Exhale, Moulin Rouge!, Garden State, Romeo + Juliet, The Full Monty, Hope Floats, Dr. Dolittle, Bulworth, Anastasia, Walk the Line, Alvin and the Chipmunks, Once, and Juno.
Fox Music has also supervised the music for Twentieth Century Fox Television hits such as "Ally McBeal" and "X-Files", as well as current shows "24", "Family Guy", and "The Simpsons". Since 1994, television soundtracks from Fox Music have included the worldwide platinum albums from "Ally McBeal" and "X-Files", plus hit compilations from "Buffy the Vampire Slayer", "Dark Angel", "The Simpsons", "Roswell" and "24".
Since Kraft became chief executive in 1994, Fox Music has been responsible for the worldwide sales of over 60 million albums, producing 3 Platinum, 6 Multi-Platinum and 6 Gold records. Fox Music has garnered 10 Academy Award nominations, winning 4 Academy Awards, 14 Golden Globe nominations (including 4 Golden Globe Awards), 58 Emmy nominations with 11 wins, and 46 Grammy nominations including 12 Grammy Awards.
Fox Music utilizes unaffiliated record companies for distribution. For example, Glee Cast albums are released by Columbia Records.
Famous quotes containing the words fox and/or music:
“His berd as any sowe or fox was reed,
And therto brood, as though it were a spade.
Upon the cop right of his nose he hade
A werte, and theron stood a toft of herys
Reed as the brustles of a sowes erys.
His nosethirles blake were and wyde.”
—Geoffrey Chaucer (1340?–1400)
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
—Vladimir Nabokov (1899–1977)