The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction. This should not be confused with the aside, a dramatic device often used by playwrights where the character on stage is delivering an inner monologue, giving the audience insight into his or her thoughts.The Fourth wall is also used for comedic purposes.
Read more about Fourth Wall: Convention of Modern Theatre, Outside Theatre, Fifth Wall
Famous quotes containing the words fourth and/or wall:
“All night Ive held your hand,
as if you had
a fourth time faced the kingdom of the mad
its hackneyed speech, its homicidal eye
and dragged me home alive. . . .”
—Robert Lowell (19171977)
“The poisoned rat in the wall
Cuts through the wall like a knife,
Then blind, drying, and small
And driven to cold water,
Dies of the water of life....”
—Allen Tate (18991979)