Found Object - Criticism

Criticism

The found object in art has been a subject of polarised debate in Britain throughout the 1990s due to the use of it by the Young British Artists. It has been rejected by the general public and journalists, and supported by public museums and art critics. In his 2000 Dimbleby lecture, Who's afraid of modern art, Sir Nicholas Serota advocated such kinds of "difficult" art, while quoting opposition such as the Daily Mail headline "For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled beds threaten to make barbarians of us all". A more unexpected rejection in 1999 came from artists—some of whom had previously worked with found objects—who founded the Stuckists group and issued a manifesto denouncing such work in favour of a return to painting with the statement "Ready-made art is a polemic of materialism".

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Famous quotes containing the word criticism:

    “I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
    —Ezra Pound (1885–1972)

    “To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
    —Charles Baudelaire (1821–1867)

    “Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting!”
    —Laurence Sterne (1713–1768)