Critical Reception
Janet Maslin of The New York Times called the film "a slick, attractive, enjoyable movie with all the earmarks of a hit. But as House Calls did a few months ago, it starts out promising genuine wit and originality only to fall back on more familiar tactics after a half-hour or so. If either film had a less winning opening, perhaps it wouldn't leave a vague aftertaste of disappointment. Colin Higgins . . . has aimed for the same kind of thriller-comedy-romance hybrid he attempted in writing Silver Streak, and this time he's much more successful . . . Still, Mr. Higgins isn't a facile enough juggler to keep the film's diverse elements from colliding at times."
Variety observed, "Writer Colin Higgins makes a good directorial bow."
Time Out London stated, "Unsatisfactory as a whole, the film is hilarious and tense in bits" and noted "while writer/director Higgins uses almost every stock thriller device . . . he approaches this semi-parody with more zest and originality than is common."
Channel 4 called the film "a finely tuned and fast-paced offering which is chock-full of black comic twists and perfect casting."
Read more about this topic: Foul Play
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