Career and Fandom
Ackerman saw his first "imagi-movie" in 1922 (One Glorious Day), purchased his first science fiction magazine, Amazing Stories, in 1926, created The Boys' Scientifiction Club in 1930 ("girl-fans were as rare as unicorn's horns in those days"). He contributed to both of the first science fiction fanzines, The Time Traveller, and the Science Fiction Magazine, published and edited by Shuster & Siegel of Superman fame, in 1932, and by 1933 had 127 correspondents around the world. His name was used for the character of the reporter in the original Superman story "The Reign of the Super-Man" in issue 3 of Science Fiction magazine. He was one of the early members of the Los Angeles Science Fantasy Society, and remained active in it for many decades.
He attended the 1st World Science Fiction Convention in 1939, where he wore the first "futuristicostume" (designed and created by Myrtle R. Douglas) and sparked fan costuming, the latest incarnation of which is cosplay. He attended every Worldcon but two thereafter during his lifetime. Ackerman invited Ray Bradbury to attend the Los Angeles Chapter of the Science Fiction League, then meeting weekly at Clifton's Cafeteria in downtown Los Angeles. The club changed its name to the Los Angeles Science Fantasy Society during the period it was meeting at the restaurant. (There never was a "Clifton’s Cafeteria Science Fiction Club.") Among the writers frequenting the club were Robert A. Heinlein, Emil Petaja, Fredric Brown, Henry Kuttner, Leigh Brackett, and Jack Williamson. Bradbury often attended meetings with his friend Ray Harryhausen; the two Rays had been introduced to each other by Ackerman. With $90 from Ackerman, Bradbury launched a fanzine, Futuria Fantasia, in 1939.
Ackerman was an early member of the Los Angeles Chapter of the Science Fiction League, and became so active in and important to the club, that in essence he ran it, including after the name change the Los Angeles Science Fantasy Society, a prominent regional organization, as well as the National Fantasy Fan Federation (N3F).
Ackerman amassed an extremely large and complete collection of science fiction, fantasy and horror film memorabilia, which, until 2002, he maintained in a remarkable 18-room home and museum known as the "Son of Ackermansion." (The original Ackermansion where he lived from the early 1950s until the mid-1970s, was at 915 S. Sherbourne Drive in Los Angeles; the site is now an apartment building.) This second house, in the Los Feliz district of Los Angeles, contained some 300,000 books and pieces of movie and science-fiction memorabilia. From 1951 to 2002, Ackerman entertained some 50,000 fans at open houses- including, on one such evening, a group of 186 fans and professionals including astronaut Buzz Aldrin. Ackerman was a board member of the Seattle Science Fiction Museum and Hall of Fame, where many items of his collection are now displayed.
He knew most of the writers of science fiction in the first half of the twentieth-century. As a literary agent, he represented some 200 writers, and he served as agent of record for many long lost authors, thereby allowing their work to be reprinted in anthologies. He was Ed Wood's "illiterary" agent. Ackerman was credited with nurturing and even inspiring the careers of several early contemporaries like Ray Bradbury, Ray Harryhausen, Charles Beaumont, Marion Zimmer Bradley and L. Ron Hubbard. He kept all of the stories submitted to his magazine, even the ones he rejected; Stephen King has stated that Ackerman showed up to a King book signing with a copy of a story King had submitted for publication when he was 11.
Ackerman had 50 stories published, including collaborations with A. E. van Vogt, Francis Flagg, Robert A. W. Lowndes, Marion Zimmer Bradley, Donald Wollheim and Catherine Moore and the world's shortest – one letter of the alphabet. His stories have been translated into six languages. Ackerman named the sexy comic-book character Vampirella and wrote the origin story for the comic.
He also authored several lesbian stories under the name "Laurajean Ermayne" for Vice Versa and provided publishing assistance in the early days of the Daughters of Bilitis. He was dubbed an "honorary lesbian" at a DOB party.
Through his magazine, Famous Monsters of Filmland (1958–1983), Ackerman introduced the history of the science fiction, fantasy and horror film genres to a generation of young readers. At a time when most movie-related publications glorified the stars in front of the camera, "Uncle Forry", as he was referred to by many of his fans, promoted the behind-the-scenes artists involved in the magic of movies. In this way, Ackerman provided inspiration to many who would later become successful artists, including Joe Dante, Peter Jackson, Steven Spielberg, Tim Burton, Stephen King, Donald F. Glut, Penn & Teller, Billy Bob Thornton, Gene Simmons (of the band Kiss), Rick Baker, George Lucas, Danny Elfman, Frank Darabont, John Landis and countless other writers, directors, artists and craftsmen.
He also contributed to film magazines from all around the world, including Spanish speaking La Cosa: Cine Fantástico magazine, from Argentina, where he had a monthly column for over four years.
In the 1960s, Ackerman organized the publication of an English translation in the U.S. of the German science fiction series Perry Rhodan, the longest science fiction series in history. These were published by Ace Books from 1969 through 1977. Ackerman's German-speaking wife Wendayne ("Wendy") did most of the translation. The American books were issued with varying frequency from one to as many as four per month. Ackerman also used the paperback series to promote science fiction short stories, including his own on occasion. These "magabooks" or "bookazines" also included a film review section, known as "Scientifilm World", and letters from readers. The American series came to an end when the management of Ace changed, and the new management decided that the series was too juvenile for their taste. The last Ace issue was #118, which corresponded to German issue #126 as some of the Ace editions contained two of the German issues, and three of the German issues had been skipped. Forry later published translations of German issues #127 through #145 on his own under the Master Publications imprint. (The original German series continues today and passed issue #2600 in 2011.)
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