Fit For Court
The images must be clear and usually have scales. They serve to not only remind investigators of the scene, but also to provide a tangible image for the court to better enable them to understand what happened. The use of several views taken from different angles helps to minimise the problem of parallax. Overall images do not have scales and serve to show the general layout, such as the house where the murder is thought to have occurred. Context images show evidence in context, like how the knife was next to the sofa. Close up images show fine detail of an artifact, such as a bloody fingerprint on the knife.
Road traffic incident (RTI) photographs show the overall layout at the scene taken from many different angles, with close-ups of significant damage, or trace evidence such as tire marks at a traffic collision. As with crime scene photography, it is essential that the site is pristine and untouched as far as is possible. Some essential intervention, such as rescuing a trapped victim, must be recorded in the notes made at the time by the photographer, so that the authenticity of the photographs can be verified.
As with all evidence a chain of custody must be maintained for crime scene photographs. Sometimes a CSI (forensic photographer) will process his/her own film or there is a specific lab for it. Regardless of how it is done any person who handles the evidence must be recorded. Secure Digital Forensic Imaging methods may be applied to help ensure against tampering and improper disclosure. Accident scene pictures should also be identified and sourced, police photographs taken at the scene often being used in civil cases.
Read more about this topic: Forensic Photography
Famous quotes containing the words fit for, fit and/or court:
“It is bad enough that our geniuses cannot do anything useful, but it is worse that no man is fit for society who has fine traits. He is admired at a distance, but he cannot come near without appearing a cripple.”
—Ralph Waldo Emerson (1803–1882)
“Many women are surprised by the intensity of their maternal pull and the conflict it brings to their competing roles. This is the precise point at which many women feel the stress of the work/family dilemma most keenly. They realize that they may have a price to pay for wanting to be both professionals and mothers. They feel guilty for not being at work, and angry for being manipulated into feeling this guilt. . . . They don’t quite fit at home. They don’t quite fit at work.”
—Deborah J. Swiss (20th century)
“At court I met it, in clothes brave enough
To be a courtier, and looks grave enough
To seem a statesman.”
—Ben Jonson (1572–1637)