History
Ancient Hawaiians called the island Moku ʻumeʻume—the isle of attraction. It was named after Dr. Seth Porter Ford (1818–1866), a Boston physician who practiced medicine at the Hawaiian Insane Asylum and the US Seamen's Hospital from 1861–1866 after Charles Guillou.
When Ford died, the island was sold to the Honolulu Plantation. The U.S. Army purchased it during World War I for US$236,000, and stationed the 6th Aero Squadron there on September 25, 1918. On April 29, 1919, the field was named Luke Field, in memory of 2nd Lt. Frank Luke. It was transferred to the Navy in 1932. At the height of World War II more than 40,000 people lived and worked on the 450-acre (180 ha) island. The island was in the center of the Attack on Pearl Harbor, because of the battleship moorings surrounding the island.
From the 1940s through the 1990s, Presidents Franklin D. Roosevelt, John F. Kennedy and George H. W. Bush were guests at Ford Island.
The Naval Air Station Ford Island was decommissioned as a separate command in 1962 and placed under Naval Base Pearl Harbor control, but the former naval air station and airfield on Ford Island remained an uncontrolled airfield redesignated as Naval Auxiliary Landing Field Ford Island for both military helicopters and military flying club aircraft until July 1, 1999. The island was declared a National Historic Landmark in 1964, and was listed in the National Register of Historic Places in 1976.
Several motion pictures were filmed on Ford Island, including In Harm's Way starring John Wayne, Tora Tora Tora, and the 2001 Michael Bay picture Pearl Harbor.
Before the Admiral Clarey Bridge was opened in 1998, transportation to and from Ford Island was by ferryboat. Tourists were unable to visit the island without a military ID or being invited by a resident. Now, civilians are able to visit the USS Missouri and Pacific Aviation Museum Pearl Harbor there.
Read more about this topic: Ford Island
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—Henry David Thoreau (1817–1862)
“The history of literature—take the net result of Tiraboshi, Warton, or Schlegel,—is a sum of a very few ideas, and of very few original tales,—all the rest being variation of these.”
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—Carrie Chapman Catt (1859–1947)