Production
Early casting had Stanley Smith playing the juvenile lead eventually played by Dick Powell, and Dorothy Tennant playing Mrs. Gould instead of Ruth Donnelly. Other actors considered for various roles included Eugene Pallette, George Dobbs and Patricia Ellis. Remarkably, considering that his musical numbers are the highlight of the film, Busby Berkeley was not the original choice to choreograph - Larry Ceballos was signed to direct the dance numbers, and sued Berkeley and the studio for $100,000 for breach of contract when he was not allowed to do so. (Ceballos also claimed to have created a number later used in the Warner Bros. film Wonder Bar, which was credited to Berkeley.)
Cagney's character, Chester Kent, was modelled after Chester Hale, a well-known impresario at the time, and the offices he worked in were based on the Sunset Boulevard offices of the prologue production company "Fanchon and Marco" in Los Angeles.
Footlight Parade was shot at the Warner Bros. studio in Burbank, California, and cost an estimated $703,000 to make. It premiered on 30 September 1933, and was released generally on 21 October.
Read more about this topic: Footlight Parade
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)