Production
Early casting had Stanley Smith playing the juvenile lead eventually played by Dick Powell, and Dorothy Tennant playing Mrs. Gould instead of Ruth Donnelly. Other actors considered for various roles included Eugene Pallette, George Dobbs and Patricia Ellis. Remarkably, considering that his musical numbers are the highlight of the film, Busby Berkeley was not the original choice to choreograph - Larry Ceballos was signed to direct the dance numbers, and sued Berkeley and the studio for $100,000 for breach of contract when he was not allowed to do so. (Ceballos also claimed to have created a number later used in the Warner Bros. film Wonder Bar, which was credited to Berkeley.)
Cagney's character, Chester Kent, was modelled after Chester Hale, a well-known impresario at the time, and the offices he worked in were based on the Sunset Boulevard offices of the prologue production company "Fanchon and Marco" in Los Angeles.
Footlight Parade was shot at the Warner Bros. studio in Burbank, California, and cost an estimated $703,000 to make. It premiered on 30 September 1933, and was released generally on 21 October.
Read more about this topic: Footlight Parade
Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)