Chants Based On Hymns and Classical Music
Several football chants are based on hymns, with "Cwm Rhondda" (also known as "Guide me, O thou great redeemer") being one of the most popular tunes to copy. Amongst others, it has spawned the song "You're not singing anymore!". Variants of this popular chant include "Does she take it up the arse?", "Does your boyfriend know you're here?" (often sung at Brighton and Hove Albion), "We can see you sneaking out!" and "We support our local team!".
Various teams have used the chant "Glory Glory" (followed by "Tottenham Hotspur", "Leeds United", "Man United", etc.), to the tune of "The Battle Hymn of the Republic". Hibernian were the first team to popularise the song with the release of a record by Hector Nicol in the 1950s ("Glory Glory to the Hibees").
There have been various adaptations of "When The Saints Go Marching In" and the tune of Handel's Hallelujah Chorus. Many football crowd chants/songs are to the tune of "La donna è mobile" from Giuseppe Verdi's opera Rigoletto.
Read more about this topic: Football Chant
Famous quotes containing the words classical music, based, hymns, classical and/or music:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“In tennis, at the end of the day you’re a winner or a loser. You know exactly where you stand.... I don’t need that anymore. I don’t need my happiness, my well-being, to be based on winning and losing.”
—Chris Evert (b. 1954)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
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