History
Fonthill Abbey was a brainchild of William Thomas Beckford, son of wealthy English plantation owner William Beckford and a student of architect Sir William Chambers, as well as of James Wyatt, architect of the project.
In 1771, when Beckford was ten years old, he inherited £1,000,000 (roughly £100 million in 2008 values) and an income which his contemporaries estimated at around £100,000 per annum, a colossal amount at the time (equivalent to £10 million in 2008), but which biographers have found to be closer to half of that sum. Newspapers of the period described him as "the richest commoner in England".
He first met William Courtenay (Viscount Courtenay's 11-year-old son), in 1778. A spectacular Christmas party lasting for three days was held for the boy at Fonthill. During this time (c.1782), Beckford began writing Vathek, his most famous novel. In 1784 Beckford was accused by Courtenay's uncle, Alexander Wedderburn Loughborough, 1st Lord (later Earl of Rosslyn) of having had an affair with William Courtenay. The allegations of misconduct remained unproven, despite being stirred up by Lord Loughborough, but the scandal was significant enough to require his exile.
Beckford chose exile in the company of his wife, née Lady Margaret Gordon, whom he grew to love deeply, but who died in childbirth when the couple had found refuge in Switzerland. Beckford travelled extensively after this tragedy - to France, repeatedly, to Germany, Italy, Spain and (the country he favoured above all), Portugal. Shunned by English society, he nevertheless decided to return to his native country; after enclosing the Fonthill estate in a six-mile long wall (high enough to prevent hunters from chasing foxes and hares on his property), this arch-romantic decided to have a Gothic cathedral built for his home.
Read more about this topic: Fonthill Abbey
Famous quotes containing the word history:
“We aspire to be something more than stupid and timid chattels, pretending to read history and our Bibles, but desecrating every house and every day we breathe in.”
—Henry David Thoreau (1817–1862)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)
“Racism is an ism to which everyone in the world today is exposed; for or against, we must take sides. And the history of the future will differ according to the decision which we make.”
—Ruth Benedict (1887–1948)